Jumat, 14 Mei 2010

Ebook Spiral Jetta: A Road Trip through the Land Art of the American West


Ebook Spiral Jetta: A Road Trip through the Land Art of the American West

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Spiral Jetta: A Road Trip through the Land Art of the American West

Spiral Jetta: A Road Trip through the Land Art of the American West


Spiral Jetta: A Road Trip through the Land Art of the American West


Ebook Spiral Jetta: A Road Trip through the Land Art of the American West

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Spiral Jetta: A Road Trip through the Land Art of the American West

Product details

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Audible Audiobook

Listening Length: 5 hours and 38 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: University of Chicago Press

Audible.com Release Date: January 24, 2019

Whispersync for Voice: Ready

Language: English, English

ASIN: B07N161BSM

Amazon Best Sellers Rank:

Although I thought that other reviewers were exaggerating about the author's snobbish attempts at viewing land art in rural settings, I very quickly tired of this author's journey. She is scared of her own shadow, and the majority of the book is filled with pages on her anxieties about various roads, hotels, etc. (For instance, she fretted that cows in the pasture might charge her car!) She was especially condescending about the rural people and communities she encountered on her journey. If you have ever driven anywhere by yourself outside of an urban area, you will most likely desire a more adventurous tale about exploring land art or the West. Additionally, the guide/itinerary on land art at the back of the book is minimal. You will not find any insider tips that you would not find in other travel books that include these major land art sites.

It was a decent read. There were just some moments where the trip went off-topic. I think there was a whole chapter where the road trip wasn't mentioned.

The author's account of her visit to earth works in the western US is often hilarious and is never dull.

This is a cross-over book: a mixture of a small amount of art history, with a bit of travel writing and with a nod towards Kerouac's On the Road. The latter is hard to avoid I guess given the genre--the road trip to various desert sites.I've always wanted to go to the art sites she visits or tries to visit. It's rather disappointing and unfortunate that the author doesn't find Nancy Holt's Sun Tunnels and she doesn't see Roden Crater, so two of the chapters are about these failures. At the back of the book are directions to most of the sites, perhaps assembling this information before the trip would have been a better idea. There's a rather laboured discussion threaded through the book about the author's efforts to be spontaneous that explain this peculiar lack of preparation.She does manage to visit Spiral Jetty, Lightening Field, Double Negative and the Chinati Foundation in Marfa and her accounts of these visits is engaging and enjoyable. On the whole, the book is a very easy read, but a bit less biography and more engagement with the sites would have suited my taste better.

Land art was a controversial movement that came out of the 1960's and 1970's. Artists like Robert Smithson, Nancy Holt and Walter DeMaria tore apart the concept of art being individual works displayed in a gallery or sculpture garden independent of surroundings and time. They went to the most remote corners of the American west and southwest and created huge installations that are wedded to the landscape with an expectation that time and elements, as well as the viewers' physical perspective, can change their work and statement.A generation later, an urbanite armed with a doctorate in art history, who was well read on the debate about land art realized that since its entire point is about where it is, she ought to go out and see these icons for herself. Erin Hogan may have been intellectually equipped, but going to land art is nothing like donning heels and a black dress and going to a gallery opening in Chicago. Thus her book is an amalgam of art history, art criticism and a frequently funny travelogue of an innocent who had never traveled solo before. The title of the book incorporates this range: the first earthwork she visits is Smithson's "Spiral Jetty" on Salt Lake, and the car she drives to remote, off-road locations requiring high-riding all-wheel drive vehicles is a VW Jetta.This book works on many accounts: Hogan is a natural storyteller and she is an accessible interpreter of art history and criticism. Due to very poor directions, not to mention a scary evening in a bar called the Saddle Sore, she does not find Holt's "Sun Tunnels" and later, a conversation with a Navajo ranger convinces her that it would be foolhardy in gun country to seek James Turrell's "Roden Crater." Although that's disappointing, she achieves some major experiences, especially a transformative overnight at De Maria's "Lightening Field." However inauspicious their start on the trip, she and the Jetta survive, and she provides revised travel directions for those who would like to make their own pilgrimages without the slapstick.

Many art historians have written about the great modern earthworks of the American West and Southwest, but this is the first travel book to do so. What sets this book apart from others of its kind is the quality of the writing and the personality of the author, Erin Hogan. Hogan, an avowed urbanista from Chicago, writes with real comedic flair about the road trip she took in her trusty VW Jetta to visit the legendary Spiral Jetty, Lightning Field, Double Negative, Rodencrater, and Donald Judd's Chinati Foundation in Marfa (almost all of them funded by the Dia Foundation). Writing in a picaresque mode, along the way she encounters some pretty hairy and scary characters straight out of the old Wild West, but gone wrong, terribly wron. While her discussions of the formidable works of Judd, Smithson et al are excellent and accessible for general readers, the account of her accidental discovery of a folk-art site known as Hole 'n' the Rock is absolutely transcendent, right up there on a par with Perelman, Benchley, Woody Allen. A fabulous read. I hope we'll be seeing more from this talented writer--and soon.

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