Download PDF The Dramatic Portrait: The Art of Crafting Light and Shadow, by Chris Knight
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The Dramatic Portrait: The Art of Crafting Light and Shadow, by Chris Knight
Download PDF The Dramatic Portrait: The Art of Crafting Light and Shadow, by Chris Knight
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About the Author
Chris Knight is a New York–based portrait photographer and educator. He combines his unconditional love of art history with his conditional love of technology, all with a flare for the cinematic and an uncompromising eye for detail. His work has appeared in Vogue, People, MSNBC, ABC, Ocean Drive, GQ, and other outlets. Chris is also an instructor at Pratt Institute and the New York Film Academy. He can be found online at chrisknightphoto.com.
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Product details
Paperback: 240 pages
Publisher: Rocky Nook (July 13, 2017)
Language: English
ISBN-10: 1681982145
ISBN-13: 978-1681982144
Product Dimensions:
8.2 x 1 x 10.2 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
50 customer reviews
Amazon Best Sellers Rank:
#32,076 in Books (See Top 100 in Books)
This book is ok if you treat it as just a basic introduction into the dramatic portrait and painterly look. Having taken Knight's online classes and also having read this book, I would recommend checking out the classes instead. The classes just have way more material and are more informative.One thing that bothered me was that in the book, Knight wastes a good chunk of the pages giving the reader a basic art history overview--something you would check out an art history book for instead. What he should have done instead is shown how classical painting relates to and can be directly used for dramatic portraiture photography: composition, golden ratio/ spiral, areas of focus, contrast and sharpness, color combinations, Vermeer and Rembrandt lighting, posing, etc. Just giving an art history lesson doesn't really help the reader relate it to photography. If he instead had shown, for example, Vermeer lighting and how it could be created and used in modern photography to give photos a soft and painterly look, it would have been a better use of pages.In general, I would have liked to have seen more detail and depth in this book. Great as an introduction--not so great if you already know what a softbox is and how to use a curves adjustment layer in Photoshop.
An absolutely, well thought-out instructional book on the dramatic portrait. An absolutely indispensable tool for those wanting to learn and create their own style of dramatic lighting in studio. Chris is a great teacher and explains everything in an enjoyable down-to-earth way, yet while being very informative with every topic spoken of throughout the book. A must read!For a great complement to the book, check out Chris Knight's new instructional video series on rggedu.com. Will bring elements of the book to life and further dive into everything the book teaches.
For fans of Chris Knight, this book is a wonderful look into his workflow and sources of inspiration that he pulls for for his own work.The book goes into lightning techniques and some post processing, but I most enjoyed the addition of a brief history of portraiture and the portrayal of the human form throughout the more significant art movements. I took an Art History class in college so the opening chapter of the book was a nice refresher.I wouldn't call the book revolutionary by any means, but Chris' approach to lighting principles, post production, and developing a 'style' is very easy to understand and can take your portrait photography to the next level.You can find video interviews and classes he's taught (BH Photo Video) while promoting this book, but having the book on hand is a nice reference. Highly recommended.
I wish I would've had this book when I was first learning lighting. Everything ties together very well and is defined succinctly. If I had one thing that I would like to see different, it would be to include the art history into the rest of the lighting theory with more depth. Such as: taking a Goya portrait and re-creating the lighting, etc. But all in all, if you want to understand lighting, you need this book.
Mr. Knight is a delightful writer who is able to clearly communicate much useful information and provides great examples. Art history buffs will disagree but the section on history of classic portrait painting could have been shortened to emphasize the portrait styles replicated later on in the book. I was pleased with the excellent technical chapters on the making of portraits. The section on case studies provides useful and succinct information on the strategies used to complete various dramatic photos. I would encourage people who are interested in learning more about portrait photography and in particular dramatic studio lighting to order this book
I picked this book up because I love Chris Knight's work and I really want to take more dramatic portraits myself. He really does a great job of making the history of portraiture more fun than it sounds (as the first chapter is titled). He has a wonderful sense of humor and has amusing pop culture references sprinkled throughout the book. I love that he uses the same gentleman model in the chapter on technical lighting. It allows you to see the difference in the lighting much better than if each image was using a different model. Everything is well written and easy to understand. I love that he went into a bit of post-production as well.
An awesome book! If your a portrait photographer and an artist you will appreciate this book. He goes back in history to the beginning of portraiture and takes you on a trip thru history explaining the evolution of our artform and then goes on to his process and thoughts on current portraiture. Love it!! Recommend Highly!! Buy it!!
Did not explain in detail how each shot was taken. Nor does it explain, with the exception of 2 or 3 pictures, all the steps in post production used to achieve each pictures final look.This is basically a book discussing light modifiers, which is perfectly fine, but not what I was looking for.The image I attached is a sample of one of Chris's works in the book, however I found no information on the beginning to end steps for this image and many others like it.
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