Jumat, 04 April 2014

Ebook Free Daisy Bates in the Desert, by Julia Blackburn


Ebook Free Daisy Bates in the Desert, by Julia Blackburn

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Daisy Bates in the Desert, by Julia Blackburn

Daisy Bates in the Desert, by Julia Blackburn


Daisy Bates in the Desert, by Julia Blackburn


Ebook Free Daisy Bates in the Desert, by Julia Blackburn

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Daisy Bates in the Desert, by Julia Blackburn

From Publishers Weekly

Blackburn ( The Emperor's Last Island ) here presents a biography of the extraordinarily determined and independent Daisy Bates who, in 1913, at age 54, removed herself from England to Australia's red desert outback as a self-appointed champion of the Aborigines. She remained there until her death in 1956. She not only shared the Aborigines way of life but so gained their confidence that she was made privy to the men's secret rites. The author traces Bates's steps and draws on her voluminous notebooks and letters, which reveal her as an acute observer of nature and a gifted writer whose works were imbued with dreams and hallucinations. Blackburn superbly fills in gaps with her own research and sympathetic imagination, while preserving the enchantment that Bates herself wove. Copyright 1994 Reed Business Information, Inc.

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From Library Journal

Irish-born Bates dedicated the greatest portion of her life to living with and studying the Aborigines of Australia. In this book, Blackburn explores the life and work of this extraordinary woman. The first part presents information gained through the author's scholarly research, interviews, and travels; the second is a lengthy account of Bates's day-to-day life written from the perspective of Bates herself. The latter section is no doubt the most rewarding portion of the book, as it is well written and draws the reader into the absorbing re-creation of a long-term desert experience. In addition to Bates's personal life, the book addresses many topics relating to life in the early 1900s in Australia. Recommended as an informative, entertaining, and descriptive addition to general travel and anthropology collections.Jo-Anne Mary Benson, Osgoode, OntarioCopyright 1994 Reed Business Information, Inc.

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Product details

Hardcover: 232 pages

Publisher: Pantheon Books (August 9, 1994)

Language: English

ISBN-10: 0679420010

ISBN-13: 978-0679420019

Product Dimensions:

6 x 1 x 8.8 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

2.9 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#350,106 in Books (See Top 100 in Books)

DAISY BATES IN THE DESERT is an interesting book but I was somewhat indifferent as I read it. The author, Julia Blackburn, used an interesting technique in her writing by dividing the book into three parts. The first and third parts use the common biographical technique of third-person reporting. The second finds Blackburn assuming the role of Daisy Bates with a first-person retelling of her life. It now becomes a novel and I don't think it works well.The story, as told by Blackburn as Bates in Part Two, becomes a fictional account with little to sustain its credibility. There are no citations or references to support the story. Bates becomes one-dimensional with an unpleasant personality and large ego. The hardships she refers to as part of her existence seem overblown and almost whiny. Any heroism she displays seems to be performed reluctantly and at great personal discomfort, not usually traits associated with heroes. The Aborigines she calls her "children" either seem disinterested in her or, after hitting her up for food and care, constantly fade away into the distant outback leaving her alone.Blackburn makes much to do about Bates's proclivity for telling lies. So, as I read her account of Daisy and her many tales, all I could think of was that there was nothing credible about the story. Other than the difficulties of living in the desert, I didn't see much else of interest to know about her life. Her prominent guests who largely ignored her, her casual acceptance of cannibalism, her curiosity about genitals, her flights of total fancy coupled with bouts with strange illnesses all seem to be unstable manifestations of a demented soul. So, how much of it is true?Blackburn is a good writer who, in my opinion, took a difficult route in telling her story. There is much to wonder about in the life of Daisy Bates, and it would surely be stimulating. Thirty years of roughing it in the Australian outback living the Aboriginal way should make for a rousing tale. It just wasn't here for me.Schuyler T WallaceAuthor of TIN LIZARD TALES

The book is quite well written.Sadly it seems she was completely mad! If this sort of thing interests you, try A Man called Possum.

Daisy Bates, a controversial woman who has attained almost mythical status in Australia, was an inveterate liar, constitutionally incapable of seeing herself in the world as it really was. Instead, she created a better world in her own mind and assumed that everyone else recognized her world as real. As Julia Blackburn reconstructs what she believes to have been Daisy's life in Australia's western desert, and her seemingly futile efforts to protect and preserve the aborigines and their culture, she presents a plausible personality with whom the reader can, to a great extent, identify.Blackburn is successful in making Daisy's dream world seem like an understandable response to the privations and hardships she faced in her early life alone. In Part I, Blackburn describes what Daisy has said about her life, and follows it with what Blackburn has discovered to be the truth as a result of her documented research. In Part II, she allows Daisy, as she understands her, to speak to the reader herself, and we "live" with her in the desert for many years, watching as her original dedication becomes a mission and then a mania, and her insecurity grows into delusion and eventually paranoia. A woman who seems to have accomplished nothing of lasting significance, Daisy might have achieved some of her goals if she had only bent a little. Part III tells of Daisy's life after she leaves the desert.Blackburn brings Daisy's Australian desert camp to life--the blinding sun, the heat of day and cold of night, the ghostly arrivals and departures of the shy aborigines, the birds and animals who were often Daisy's only company, and the changes wrought by the railroads, settlement, missionaries, and unfeeling governmental bureaucrats. Though she presents Daisy sympathetically, she is not Daisy's apologist, offering no defense, other than Daisy's own personality, for her extreme and solitary viewpoint. Unlike other readers, I found this a very poignant story of a woman who, at the end of a life of the utmost privation and dedication to saving a culture, realizes with sadness that it has all been for naught. Clearly, she never had a clue that most of her failure was her own fault. Mary Whipple

If you have a burning desire to read some historical fiction, I'd recommend Memoirs of a Geisha: A Novel by Arthur Golden as a shining example thereof.What are the problems?1. Lots of digression/ babbling/ fillers sections of prose. It seems like a lot of it was inserted to give the book length. If the point of this was to give us an idea of the life of Australian aboriginals, the author could have supplied details to that effect. Instead, we get the author's imagined internal dialogues of a central character that may well have been schizophrenic.2. Why would Blackburn choose an inveterate liar to characterize the experience of a white living amongst the Aborigines? Were there no other whites that lived among them during that time? One thing that was clear was that there were many different types of whites to be found in contact with the Aborigines at this time. Could we not have seen these Native Australians from the perspective of government officials? Or railroad workers?3. On the whole, the characters were very poorly developed and one dimensional-- and especially those of the Aborigines. This might have been another vehicle to show us the customs that a reader might be intersted to know, such as language/ customs/ family structure.4. If this work was supposed to have been historical fiction dedicated to understanding Daisy Bates, the author could have taken artistic license to develop the character of Daisy Bates as it might have been seen through the eyes of an Aborigine. Or several of the government officials with whom she came into contact.Again: If you are looking for good historical fiction, don't look for it in this book.

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